2
25
3209
-
https://braceroarchive.org/es/files/original/emiliano-ramirez_2a59387bd0.mp3
3d768ed25c96c8acfbdeca0218feb2bc
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewee
The person(s) being interviewed.
Emiliano Ramirez
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Emiliano Ramirez
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
No
-
https://braceroarchive.org/es/files/original/emigdiocordova_5346603b86.mp3
c1d9a3c7277dc0a04c4439b134022e24
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewee
The person(s) being interviewed.
Emigdio Cordova
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Emigdio Cordova
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
No
-
https://braceroarchive.org/es/files/original/elias-magana-1_893c32ad84.mp3
d4fab5ca4ae3d3f8e4ebcbfe463eb304
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewee
The person(s) being interviewed.
Elias Magaña
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elias Magaña
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
No
-
https://braceroarchive.org/es/files/original/domingoromero-copy-1_923912af13.mp3
12dab86eb8a5e17597d347f2514b7f03
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewee
The person(s) being interviewed.
Domingo Romero
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Domingo Romero
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
No
-
https://braceroarchive.org/es/files/original/davidesquibel-(2)_fc8af6e043.mp3
6c37557bcbb49c3cb62533971716eb2f
https://braceroarchive.org/es/files/original/davidesquibel3_fa6825f63d.mp3
8908dfe6131ccc77e2f255f6463e8097
https://braceroarchive.org/es/files/original/davidesquibel_e20cd5fd3d.mp3
9f083edc9f81d08877925ad473cc8505
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewee
The person(s) being interviewed.
David Esquibel
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
David Esquibel
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
No
-
https://braceroarchive.org/es/files/original/celestino-rangel_9836acb893.mp3
a40faa82ae1d35f8786b6eb003258c5e
https://braceroarchive.org/es/files/original/celestino-rangel2_6990b2622b.mp3
1f5f09b42befb29c30685ff9953a7d50
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewee
The person(s) being interviewed.
Celestino Rangel
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Celestino Rangel
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
No
-
https://braceroarchive.org/es/files/original/arevalo,-magana-jose-2014-bracero-interview_d4e81c2a06.mp3
edab771c9cf1c38a1de04b9aa5fee511
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewee
The person(s) being interviewed.
Jose Arevalo Magana
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jose Arevalo Magana
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
No
-
https://braceroarchive.org/es/files/original/antoniobarrios_a8dd95322a.mp3
ab19d48218a30e0c85f1dd68b7b31896
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewee
The person(s) being interviewed.
Antonio Barrios
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Antonio Barrios
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
No
-
https://braceroarchive.org/es/files/original/amadovasquez_27eebd2acd.mp3
d195145b986aa19051af1903819fc694
https://braceroarchive.org/es/files/original/amadovasquez2_72a7e2eb6d.mp3
058cb15abb7fec5666f90979e8d900f8
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewee
The person(s) being interviewed.
Amado Vasquez
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amado Vasquez
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
No
-
https://braceroarchive.org/es/files/original/alfredoramirez_a239957fb5.mp3
3027625d004dfa61e15edbfcaeaed50d
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewee
The person(s) being interviewed.
Alfredo Ramirez
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alfredo Ramirez
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
No
-
https://braceroarchive.org/es/files/original/alfredo-manzo-v001_8dffdf5c85.mp3
a2176079f54284deeee49216d790ab57
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewee
The person(s) being interviewed.
Alfredo Manzo
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alfredo Manzo
Type
The nature or genre of the resource
Oral History
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
No
-
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
Any textual data included in the document.
I remember my Dad hiring the Braceros to pick tomatoes for us. We only had 20 acres put out for the Lucas canning factory at Royal Center, Ind.
We could have never picked all of the tomatoes, but they came in and picked them fast, and Dad hauled them to the canning factory.
I was about 6 years old.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Contributor
An entity responsible for making contributions to the resource
Carol Beecher
Creator
An entity primarily responsible for making the resource
Carol Beecher
Rights
Information about rights held in and over the resource
You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material.
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
Yes
Submission Consent
Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No)
Yes
Posting Consent
Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No)
Yes
Contributor is Creator
Indicates whether or not the contributor of the Item is responsible for its creation.
Yes
-
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
Any textual data included in the document.
I made a video of my father several years ago about his immigration to the United States in the 50s. My parents became U.S. Citizens in the mid-90s.
Here is the youtube link: https://youtu.be/DZJTgJLPC64
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Contributor
An entity responsible for making contributions to the resource
Domingo Cardenas
Creator
An entity primarily responsible for making the resource
Domingo Cardenas
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
Yes
Submission Consent
Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No)
No
Posting Consent
Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No)
Yes
Contributor is Creator
Indicates whether or not the contributor of the Item is responsible for its creation.
Yes
-
https://braceroarchive.org/es/files/original/photo-1_df833ac773.jpg
0bd9d25bae255e905135fd350dcf0a1f
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
1619
Height
2047
Bit Depth
8
Channels
3
IPTC String
Array
(
)
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Passport Picture of My Father- A Bracero
Description
An account of the resource
I would like to contribute a picture of my father who was a Bracero in 1944. He recently passed away and his stories were many.
Creator
An entity primarily responsible for making the resource
Rosa Hernandez
Contributor
An entity responsible for making contributions to the resource
Rosa Hernandez
Rights
Information about rights held in and over the resource
You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material.
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
Yes
Posting Consent
Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No)
Yes
Submission Consent
Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No)
Yes
Contributor is Creator
Indicates whether or not the contributor of the Item is responsible for its creation.
Yes
-
https://braceroarchive.org/es/files/original/ben-bracero-contract-3-19-43_aa05fe10aa.pdf
1d088f25d74143856d1bad17b6833bd7
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ben (Remigio) Bernal Work Contract
Creator
An entity primarily responsible for making the resource
Elizabeth Bernal
Contributor
An entity responsible for making contributions to the resource
Elizabeth Bernal
Rights
Information about rights held in and over the resource
You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material.
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
Yes
Posting Consent
Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No)
Yes
Submission Consent
Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No)
Yes
Contributor is Creator
Indicates whether or not the contributor of the Item is responsible for its creation.
Yes
-
https://braceroarchive.org/es/files/original/guillermo-bracero-pay-stub_48bff992d4.pdf
025c7786bcadba8d52f8833c77a398c3
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Guillermo Bernal Paystub
Creator
An entity primarily responsible for making the resource
Elizabeth Bernal
Contributor
An entity responsible for making contributions to the resource
Elizabeth Bernal
Rights
Information about rights held in and over the resource
You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material.
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
Yes
Posting Consent
Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No)
Yes
Submission Consent
Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No)
Yes
Contributor is Creator
Indicates whether or not the contributor of the Item is responsible for its creation.
Yes
bracero
paystub
-
https://braceroarchive.org/es/files/original/guillermo-bracero-permit-mx_dc5f9e8513.pdf
c3aee733248bcaa62cd6410cf0c100d2
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Guillermo M. Bernal
Creator
An entity primarily responsible for making the resource
Elizabeth Bernal
Contributor
An entity responsible for making contributions to the resource
Elizabeth Bernal
Rights
Information about rights held in and over the resource
You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material.
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
Yes
Posting Consent
Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No)
Yes
Submission Consent
Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No)
Yes
Contributor is Creator
Indicates whether or not the contributor of the Item is responsible for its creation.
Yes
bracero
michoacan
-
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
Any textual data included in the document.
Hello, My name is Gloria Mendez Martinez Hobbs, born and raised in Fresno, Ca. My father was born in Colfax, California, my mother was born in Oxnard, California.
My mother's siblings and parents worked in Oxnard, Santa Paula, Fillmore and Saticoy, Ventura County. I remember my mother telling me her stories of how they lived and worked in the fields and living in labor camps. The only time they lived in an actual tent was in Tulare County near a river where the family was working for a dairy farmer. After following the harvest for many years the family settled and bought their first home in Fowler, and Sanger Fresno county, California. My father Raul lived most of his young life in Juares, Mexico...at the age of 15 he came back to the U.S. and started to work in the fields in Fresno County. Whenever the "Migra" would come in the fields looking for Mexicans without proper papers to work, my father wouldn't run because he was an American...but because he spoke no English and couldn't explain where he was born he was deported twice back to Mexico. After the last deportation he sent for his birth certificate and used everyday after that.
My mother's name is Ruth Tillie Mendez Married Raul Gonzales Martinez...
Her parents names are Ysabel Aguilar Mendez and Nicolasa Castillo married in San Pedro, California in 1923.
Their children's names are: Ruben, Elvira, Eva, John, Ruth, Marylou, Ysabel Jr, Belen, Nicolas, David and MaryHelen all Mendez. In 1980 my mother asked me to start writing some information on paper of her life growing up poor and working in the fields.
If anyone has heard these names before in the camps of Ventura County please contact me by my email HOBBS2575@comcast.net
Thank you....
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Hello, My name is Gloria Mendez Martinez Hobbs
Creator
An entity primarily responsible for making the resource
Gloria Hobbs
Contributor
An entity responsible for making contributions to the resource
Gloria Hobbs
Rights
Information about rights held in and over the resource
You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material.
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
Yes
Posting Consent
Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No)
Yes
Submission Consent
Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No)
Yes
Contributor is Creator
Indicates whether or not the contributor of the Item is responsible for its creation.
Yes
-
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
Any textual data included in the document.
My Grandfather Severo Jimenez from Jalisco came to the U.S twice through the bracero program. His first adventure was to Chicago, Illinois. I don't know too much about his stay there as he rarely mentioned that trip. His second trip was to Anaheim, California. He told me about picking oranges for a Filipino foreman. He happily remembered that while perched up on the tree he would take the orange tree leaves and "play" them like an instrument. Taking the leaf to his lips he would make it play like a "trumpet". He would entertain his comrades with melody requests. He told me about a time the foreman asked him to come to his house on the weekend and "play" for his family. My grandpa happily attended as he was promised ten american dollars to "play" an orange leaf.. he laughed as he told me this story. He must of found it amusing that someone would pay him to play a leaf.
A musician at heart he always found a way to create music around him. He wrote many "corridos" about his life. I have the words to one in specific about his journey as a bracero. Unfortunately I was never able to get the music written down. My Grandpa passed away last August 2013 and while there are several stories I was able to write down about his life I am sad that I missed so many others. I have a notebook that I hand wrote as he dictated his life so often.
My plan is to write a memoir about what I do know about his life.
If anybody that happens to read this ever met him please don't hesitate to contact me.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
My Grandfather Severo Jimenez
Creator
An entity primarily responsible for making the resource
Connie Guerrero Jimenez
Contributor
An entity responsible for making contributions to the resource
Connie Guerrero Jimenez
Rights
Information about rights held in and over the resource
You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material.
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
Yes
Posting Consent
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Yes
Submission Consent
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Yes
Contributor is Creator
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Yes
Anaheim
-
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
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It took some time to earn an M.A. in English. Forty-five years, maybe – if you’ll accept that my education started as a dream, of my dad, well before I was born.
In my wallet I carry a black and white photograph of us. The snapshot, taken after a rain, captures a dreary day in Castanos, Coahuila, Mejico, 1952. As I stand on a table of rough wood, wearing a baggy diaper, our white adobe home behind us, the picture speaks to me of his vision.
In 1945, encouraged by the Mexico-U.S. Bracero Program, dad left home to change our lives. It would not be easy. Trials awaited him. In his first test, needing a Mexican labor contractor to hire him, my dad failed. The enganchador judged his hands too soft for the needs of American farmers.
This did not deter him. Despite the dangers, without knowing English, he pursued his vision anyway. Sixteen years later, on a snowy February 22, 1960, in a letter signed by former U.S. Senator Everett McKinley Dirksen, America officially greeted Ireneo Gomez Saldana.
In our photo, as he stands behind me, his right hand cupping my waist, I see my dad in the maturity of his manhood. He is lean. He is strong. In his wry, diminutive smile I see the joy he would’ve expressed had he lived to know I graduated.
He valued education.
He built our lives on it.
I recall one wintry night, in Chicago, how my mother nervously thread about him. Occasionally she wrung her hands. My three sisters, older and smarter than me, remained in their room – as my dad, quietly weeping at our dining room table, tried to still his fears.
Propped on elbows, his head held in his hands, my dad stared at a book lying open before him. It was a trade manual. The first of many that he would need to study, the book was part of a correspondence course on radio and television repair. Injured, having lost his job as a punch press operator with the Burton-Dixie Corporation, my dad sought a new job.
I asked my mother why he cried.
She said he couldn’t read English.
It’s the only time I ever saw him weep.
On December 11, 1990, while sitting on the steps of Flowers Hall at Southwest Texas State University, on a rosy winter day I celebrated my graduation with him.
I looked at our photo.
In the way that he holds me – facing out, as if presenting me to the future – I couldn’t help wonder if he wasn’t showing me to myself, suspecting, perhaps, that I’d see this moment one day, and I would recognize just how much he had laid out for me.
I do.
I did.
As I gazed across the campus, knowing that I’d benefited from his dream, the university’s tower clock happened to toll. It was three. And it was special. In the bells’ resonance – traveling across space and time, I imagined – I believed that he heard the same victorious chime. And it felt good. I understood what he'd given me. I’d inherited an American story.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
An American Story
Creator
An entity primarily responsible for making the resource
Roy Gomez
Contributor
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Roy Gomez
Rights
Information about rights held in and over the resource
You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material.
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
Yes
Posting Consent
Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No)
Yes
Submission Consent
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Yes
Contributor is Creator
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Yes
bracero
dad
honors
writer
-
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
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My father was a bracero emigrant, through him my mother and brother get into the United States. at that time I was attending forth grade at Toribio Benavente Elementary school, the years in the school Fabens Grade School where difficult for my brother and me, I was only a teenager and my brother was three years younger then me, In the school I had to bear the language barriers, When I used to asked my apparently friend, in the school Can you help me? in this poem? She will said, sure I help you, but only to put the wrong words in the poem to make the others mack at me, Like my horse went to drink water and I was eating his food, things like that, to make every one laugh. Of course except the teacher, which I appreciated that. but at that time I was so Innocent, I mean If someone said,one thing I don't have the malicious to think differently. I only stood in that school two years, my father keep saying that taking care of us it was too expensive, my mother used to go to Juarez,Chih to take care of my others brothers and sisters who where fifteen in total.
During that time I have to find the way to find me a job, nobody wanted to hire a 16 years old girl. I end up working as a farm worker wish was a hard work, I have to wake up so earlier in order to be in time for the buses that arrived to El Paso Texas just across the border from Juarez and El Paso those buses take us to Canutillo, To New Mexico, to Fabens, Texas We used to be around 3:00A.M. with our lunch and a second pair of shoes and extra clothes, I have to wear long sleeves and gloves, a big hat for the sun and a lot of strength to work and to support the heat,When the foreman where asking the boss at the end of the day, " are we going to pay her like the rest of the workers? "He said of course! she worked the same as the rest of the farm workers and even more" I used to clean the borders of the lakes, that, the weeds almost rising us for being so high and hard to see the canal, Also we were working withe the short azadon,were you have to bend yourself the whole time in other to clean and separated the lettuce and live space for the plant to grow, also in pick up the onions, or tomatoes. For only nine dollars a day. My mother used to be called the guerita for having a fair skin and working in the sun make her skin so red.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Education give you the tools to survive
Creator
An entity primarily responsible for making the resource
Belem Antunez
Contributor
An entity responsible for making contributions to the resource
Belem Antunez
Rights
Information about rights held in and over the resource
You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material.
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
Yes
Posting Consent
Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No)
Yes
Submission Consent
Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No)
Yes
Contributor is Creator
Indicates whether or not the contributor of the Item is responsible for its creation.
Yes
-
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
Any textual data included in the document.
A particular bracero, age 17, was convinced by his cousin back in 1951 to join. This bracero's father passed away when he was 7; he took on the challenge of taking care of his mother and siblings. As a family provider, he figured the Bracero Program was his ticket to a better future.
He felt at ease knowing he was going to the USA with his cousin. As they arrived in Arizona, he found himself in a small room overcrowded with others. His stomach growled with hunger; he was surviving on limited meal portions. After a couple of days of waiting, he started to smell. No showers or restooms were available to them.
They were ordered to form 2 lines. They were told to take off all their clothes and walk into a room and stand there. Soon, he heard a spraying sound. He found himself covered with a white powder substance, he was told the powder was to kill lice, yet no shower was provided afterward. The men were ordered to put their clothes back on. As they waited for their next orders, his impatient cousin convinced him to sneak out that night. His cousin painted a better picture for him - Modesto, California.
They made it to California, but the harvest was over. As they stopped at sidewalk to discuss Plan B, the Border Patrol arrived and asked them for documentation. His cousin, quick to speak, responded. His cousin would go back home to get the documentation. He left and never returned. It was then this bracero realized he should have never believed his cousin.
He was taken by bus back to Arizona, then Texas. He was boarded onto a ship. He slept on the upper deck floor, which was full of a tar-like substance. For the next four days, his meals consisted of oatmeal for breakfast, fideo for lunch, and fideo for dinner. Along with a slice of bread for lunch and dinner. Thin, worn,fragile and near starving, his feet once again were on Mexican soil. He arrived in Vera Cruz. His only hope was getting back home.
After many obstacles, he reached La Piedad, Michoacan, Mexico. As he walked down the street he came across a familar face. It was his cousin's brother. He was well dressed and clean cut. Feeling shamed, the bracero hid. He was dirty from the tar on the ship,unshaven, and smelled from a lack of showers. He purchased a razor and found a public restroom to clean himself up. He finally arrived back home.
The following year he attempted to become a bracer again. This time, he was conned and robbed of $350, money he was going to use for the sign up fee.
It was not until 1953, at age 19, he finally entered the Bracero Program. Assigned to work in Arizona, his hard labor paid off. He found favor with his employers. Out of 160 braceros, 3 were chosen as supervisors to apply for legal residency. Their aplication fees were fully paid by his employer. They were the lucky ones. The less fortunate braceros were subjected to racism, segregation, physical abuse, and sometimes death.
This bracero is my father. He married in 1968 and migrated to the beautiful Salinas Valley, where he continued his work in farm labor and still takes pride in being a busy, hard working man. In 2002, 49 years later after entering this country, my father became a US Citizen! I was so proud of him.
Today, he sits and watches how the country which once desperately needed him,at times still continues to despise and mistreat Mexican laborers.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Un Simple Bracero
Creator
An entity primarily responsible for making the resource
Mary Vargas
Contributor
An entity responsible for making contributions to the resource
Mary Vargas
Rights
Information about rights held in and over the resource
You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material.
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
Yes
Posting Consent
Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No)
Yes
Submission Consent
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Yes
Contributor is Creator
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Yes
-
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
Any textual data included in the document.
Unfortunately my dad, who was a bracero during 1958-63, does not have any proof or evidence that he was actually a bracero worker back then. My dad recalls that after he became a legal US resident one time he was traveling from Tamaulipas to Houston, an immigration agent from the border in Hidalgo saw his bracero ID card in my dad’s wallet and kindly asked if he could have it for his personal collection purposes, so my dad gave him his card (I still cant believe my dad did this). My dad says the agent convinced him by saying he would never need it since the program was over and he was now a legal resident. He never knew the name of this agent. Now my dad has no other way to prove his background as bracero since he never imagined he would sometime in his life need his id, check stubs or contracts from these companies that were enrolled in the bracero programs back then. He can’t recall the names of the companies he worked for since he would work for a company for a month and then work for another one the next month and since the companies names were in English it would be more difficult for him to remember the names. My Dad is currently living in Houston Texas. If you have a family member who had his bracero id card collected by an Hidalgo border agent perhaps together we can investigate about this person or testify about this as a group. Does anyone out there knows anything about immigration agents who got these bracero id cards for personal collection purposes please contact me at tamu50@hotmail.com.. Is there a place here in texas or in mexico that perhaps has records of all these bracero people who worked in the US back then?
Lamentablemente mi padre que fue bracero desde 1958-63 no cuenta con ningun tipo de evidencia para probar que fue uno de estos trabajadores. Mi padre dice que despues de haber arreglado su residencia y al cruzar el puente hacia los estados unidos,un oficial de la immigracion (nunca supo su nombre) en hidalgo texas le pidio cortesmente la identificacion de bracero al versela en su cartera diciendole que el las estaba coleccionando y que ya no la iba a necesitar lo cual mi papa hizo (que se me hace increible que mi padre haya hecho esto ya que es una persona muy desconfiada con documentos importantes sobre todo tarjetas de identificacion) y ahora no sabe como mostrar evidencia ya que jamas imagino que iba a necesitar sus talones de cheques o contratos alguna ves en su vida, mi padre vive en Houston, Texas, Si tienes algun familiar que le paso lo mismo con su tarjeta con algun agente de Hidalgo, alomejor juntos podemos averiguar o testiguar que hubo alguien en immigracion coleccionando estas tarjetas de identificacion..Alguien tiene informacion sobre trabajadores de imigracion que estuvieron coleccionando estas tarjetas porfavor contacteme a tamu50@hotmail.com??...hay algun lugar aqui en texas que hayan guardado records de toda esta gente que venia a trabajar aca?
Analui
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
immigration agent at Hidalgo Texas asked my Dad for his Bracero ID card
Creator
An entity primarily responsible for making the resource
Analui Martinez
Contributor
An entity responsible for making contributions to the resource
Analui Martinez
Rights
Information about rights held in and over the resource
You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material.
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
Yes
Posting Consent
Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No)
Anonymously
Submission Consent
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Yes
Contributor is Creator
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Yes
agent
bracero
help
ID
immigration
proof
-
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
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My father, Refugio Villalobos Perez came to the US via the Bracero Program in 1955. He left five of my brothers/sisters and my mother in Santa Maria Transportina, Jalisco for the opportunity to get to 'El Norte' via the Bracero Program. Once established, my father broughy my brothers/sisters and mohter to the US. Three siblings were born in the US.
My father worked many diferent jobs to support his nine children. He ended up working in the SF laborers union until his retirement. He and my mother spend his retiremtn between his ranch in Mexico and his hom ein northern CA.
I am proud of my jefe and the sacrifices he made to make a better life for his famila.
Four of his children attended UC Berkeley and the other five children took on union trades/careers. His oldest daughter, born in Mexico, is a year away from obtaining her PHD. He is the proud grandfather of over 20 grandchilren and recnetly welomed great grand children to the familia. Several of his grandchildren are in college and a grandchild recently graduated from UC Berkeley.
My fathers favorite sayings are:
1. Como un rio, siempre para delante!
2. Tiene uno que trabajar con coraje!
3. Nunca pienses que se te va cerrar el mundo.
4. No tengas miedo dejar un trabajo, el nuevo trabajo va ser mejor.
5. Hay que tener fe.
I carry my fathers bracero card in my wallet as a reminder that I can never give up on bettering what my jefe started.
I am proud of my father and mother and what they did for thier familia.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Perez Family from Jalisco, Mexico
Creator
An entity primarily responsible for making the resource
alberto perez
Contributor
An entity responsible for making contributions to the resource
alberto perez
Rights
Information about rights held in and over the resource
You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material.
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
Yes
Posting Consent
Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No)
Yes
Submission Consent
Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No)
Yes
Contributor is Creator
Indicates whether or not the contributor of the Item is responsible for its creation.
Yes
-
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
Any textual data included in the document.
I am now 56 years old, and although my memories are a little sketchy, I have very pleasant memories of the Limoneira in Ventura. My father was a Brazero, he started out picking lemons and became a Foreman under Mr. Jenkins. My father went by the nickname "Goyo", his real name was Gregorio Perez (Rodriguez). He was the first of his family to come from Mexico as part of the guest worker program, eventually bringing his 3 brothers (Alfredo, Daniel and Mauro) with him. My father died in 1962 at the age of 42, he was a hard working man and I miss him.
I am interested in learning more about his life and if someone reading this story recognizes his name or this story, I would love to hear from you.
The title, by the way, is from the memories of waking in the wee hours of the morning in the "2nd house" where we all slept in a baracks type setting, to a loud horn and the stirring of vehicles and workers lighting the oil pots to warm the lemon groves.
I am proud to be the son of a migrant farm worker, and I hope to hear from you.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"The lemons are Freezing!"
Creator
An entity primarily responsible for making the resource
Mario Perez
Contributor
An entity responsible for making contributions to the resource
Mario Perez
Rights
Information about rights held in and over the resource
You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material.
Contribution Form
The set of elements containing metadata from the Contribution form.
Online Submission
Indicates whether or not this Item has been contributed from a front-end contribution form.
Yes
Posting Consent
Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No)
Yes
Submission Consent
Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No)
Yes
Contributor is Creator
Indicates whether or not the contributor of the Item is responsible for its creation.
Yes